Alienation Effects

Performance and Self-Management in Yugoslavia, 1945-91

von

Jakovljevi?, Branislav

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Beschreibung

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify.

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