Postfeminism and Paternity in Contemporary US Film

Framing Fatherhood

von

Hamad, Hannah

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Beschreibung

This book analyses representations of fatherhood in popular cinema, and theorizes their relationship to postfeminist culture with a view to arguing that postfeminist fatherhood is the new hegemonic masculinity.

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Weitere ISBN/GTIN9781135088903

ProduktartE-Book

EinbandE-Book

FormatEPUB

Format HinweisDRM Adobe

Verlag

Taylor & Francis

Erscheinungsdatum15.10.2013

ReiheRoutledge Advances in Film Studies

Seiten204 Seiten

SpracheEnglisch

Dateigrösse1116 Kbytes

Illustrationen9 schwarz-weiße Fotos

Artikel-Nr.4066631

KatalogVC

Datenquelle-Nr.548245

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Reihe

Transnational Asian Identities in Pan-Pacific Cinemas

Hollywood Melodrama and the New Deal

Korea's Occupied Cinemas, 1893-1948

The Politics of Loss and Trauma in Contemporary Israeli Cinema

Hollywood Melodrama and the New Deal

Postwar Renoir

Stardom and the Aesthetics of Neorealism

Narratives of Gendered Dissent in South Asian Cinemas

Theorizing Film Acting

The Politics of Age and Disability in Contemporary Spanish Film

The Aesthetics of Antifascist Film

European Civil War Films

Cinema and Inter-American Relations

Cinema and Language Loss

Cinema as Weather

Cinema, Memory, Modernity

Spanish Cinema in the Global Context

Postfeminism and Paternity in Contemporary US Film

Masculinity in the Contemporary Romantic Comedy

Cine-Ethics

Japanese Horror Films and their American Remakes

Crossover Cinema

American and Chinese-Language Cinemas

Postcolonial Film

Landscape and Memory in Post-Fascist Italian Film

Eco-Trauma Cinema

Iranian Cinema in a Global Context

Autor

Hamad, Hannah

Hannah Hamad is Lecturer in Film Studies at King's College London, UK.

Postfeminism and Paternity in Contemporary US Film

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